'PAINT' STARRING OWEN WILSON: PALLETE-ABLE OR PUTTING THE PAIN IN PAINT?

Brit McAdams's latest film, Paint, features Owen Wilson as Carl Nargle, a fictional character reminiscent of Bob Ross, complete with a similar hairstyle, soothing voice, and talent for painting charming landscapes on public access TV. However, unlike Ross, whose popularity endures even today, Nargle's fame is confined to Burlington, Vermont.

In the film, Nargle's past relationships and local reputation are portrayed ambiguously, with women seemingly drawn to him despite his indifference. Accusations of using his artistic talents for seduction and manipulation are thrown at him, yet his on-screen behavior appears rather innocent, perhaps to avoid potential legal issues with the Ross estate.

Paint introduces a young, talented painter named Ambrosia (Ciara Renée) as Nargle's foil, with her modern, quirky art style and diverse background, seemingly symbolizing a new era in the art world. Her arrival disrupts Nargle's once-loyal followers, causing them to neglect their duties toward him. This plotline reflects a post-#MeToo narrative, where the traditional white male figure is challenged by a fresh, diverse female competitor.

However, in a predictable twist, Nargle ultimately evolves, improving his art and winning over his love interest. While Paint attempts to capture the spirit of an 80s-inspired world and explore themes of artistic rivalry and personal growth, its convoluted plot and dubious character dynamics ultimately render the film a regressive flop.